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Atwood Magazine’s Weekly Roundup: August 10, 2026
“Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine”
“Fun, Confident, Sisterhood”: Rachael Fahim on the Runaway Success of Her Debut Album ‘Who You Are’ and Taking Her Country-Pop to the Global Stage
“I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of”
“It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy
“I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’
“This Is a Love Letter to South America”: Hermanos Gutiérrez Honor Their Heritage on “Canto Andino”
“Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow
“Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’
Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek!
“Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow
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